Archive for Art-Making

Identity and Individuality

Just in the past week, my collage creatures have begun to change in a subtle way: I’m seeing recognizable faces appear on the usual Frankenstein bodies. Many of the faces belong to people inhabiting the orbits of current popular culture, celebrities and public figures, politicians.

Bin Fridge Magnet Laden

Bin Fridge Magnet Laden

As I make them, my gut reaction is ‘oh wow, this is so funny – Osama’s got lipstick and big hands and Bob Lanier legs!’ but a deeper meaning has surfaced today when I was reading something about Dylan.

Bob Dylan’s thoughts on individuality struck a chord in me. He has ideas about the importance of finding one’s own character, that quintessential American quest for true identity. Dylan seems to think it’s very important that each of us stand totally and unequivocally apart from our peers.

It seems that putting popular faces on my creatures lends them a recognizability, a unique identity, a singular individuality. I definitely agree with Bob on this: We Americans, as a culture, yearn for this separateness, yet technology’s onslaught demands distractions which essentially rob from us ourselves. This modern predicament is, I think, one of things I’m expressing through my creatures. I’ve got disparate parts of people re-assembled grotesquely, now with recognizable faces, changed from something familiar and typical into another thing only vaguely so.

Ultimately, I’m questioning identity itself, and what seems to be a culture-wide search for individuality.

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Limbs & Faces = F-U-N

However which way and why I make these creatures, one thing’s becoming increasingly clear: I have lots of fun creating ‘em!

yoga pose piece in progress

yoga pose piece in progress

And really, I’m not sure I need more of a reason than f-u-n

wardrobe malfunction?

wardrobe malfunction?

Part of me gets neurotic about having more of a reason, just in case I ever encounter someone who cares enough to need a deeper meaning. I suppose, however, that were they to eventually appear, this hypothetical someone would create their very own meaning.

Why do I posses such a need to decipher any deeper truths in my art? Perhaps I should be content to simply wait until someone else discovers their own truths, and not fret so much over it…

At the very least, I’m having a swell time putting these figures together. Is it so important to take it a step further, and figure out why?

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To See How You See

I want to be able to see the world from your perspective, to get inside your head and have a peek around. Among the many mysteries this would solve is the puzzle about individual consciousness, and whether we all inside our own domes feel and see our worlds similarly. Does a banana taste the same to both of us? Do you see emerald green like I do? And perhaps of most interest to me, do you feel the same inside your skin as I do?

..........strange little creatures..........

..........strange little creatures..........

I’ve been constructing these paper Frankensteins for the past few months. I don’t know where they came from in any logical sense, only that I used to do similar things with cars:

sideshow number 2

'Sideshow #2' - 2006 - Acrylic and Paper on Wood

And while on the hunt for imagery through magazines old and new, if there’s one element that runs seemlessly through them all, it’s people. People in every manner of flavor and repose, filling almost every other page. I do what comes naturally and snip them out,cut them up, then paste them back together again. Does it help me understand others’ perspectives? Am I getting a glimpse through others’ eyes? Beats me. Maybe. Who knows?

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